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Good morning, childrenTired of trying to guess which products are made in the USA ALL PRODUCTS IN THIS SECTION ARE MANUFACTURED IN THE UNITED STATES OF AMERICA Support American companies. Sonnox Oxford Sonnox Elite Native bundle. Oxford Limiter Native' title='Oxford Limiter Native' />Today Im going. Im gonna share my template Its priceless. In reality theres no magic, there. Im just gonna give you my template. The point here is not to. Because. mixing is extremely repetitive and. Detroit and. I noticed that therere lots of. And theyre not very good because. I thought itd be very useful. Pro Tools, today. Templates are tricky. You definitely not need the same tools. Red Army choir. 0. Those are two very different things. But, there are some common. Most like youre gonna have drums. Red Army choir. but you know what I mean. And, youre gonna need stems, reverbs. And instead of doing the same. There are two different way to. Im gonna go over both ways. Which is perfect for both ways. The first way is the old school. On the tape machine. Thats one way. 0. The other way is the cherry picking. You have a session that is sent to you. And then what you do is import. Thats useful when youre mixing. Its also useful. Before we go to examples. Im gonna run you through the template. Pro Tools rig, in front of you. I. otherwise it makes no sense. To make things very simple. I created some sign posts. These dark blue inactive tracks. Boom. 0. 0 0. 3 2. I know what youre thinking I said. It is blue, but its inactive, so it. You can see the blue up there. The next inactive track. I use the same color template. I know. whats going on, but its nice, when. Pro Tools, to have something. Youll see, its pretty cool. So, acoustic drums area, right here. I created three tracks. Pagamento Tramite Ricevute Bancarie. Inside Bass Drum, Outside Bass Drum. Bass Drum Low. in case you use a sub like a. Yamaha Sub. Kick or something like that. Those three audio tracks. BD sub to this. aux I called BD sub. And then theres a send. So I can do parallel. Next. if youre wondering what. Sometimes you need to. So what you could do, and Ill. DAW. the ability to look into. And that allows you. Bass Drum trigger. Ill show you. because, explaining like this. Once you see it. youll go Uuh. But basically, were gonna work at. And all that is being sent. Ill show you how its done later, when. Next is, snare drum Two top snare, some people like to put. Those three. audio tracks are routed to this. Im just talking routing now. Ill talk about plug ins in a minute. Then, on the snare, theres a. Often, because the snare is. So sometimes it makes sense to. Which is created right here. Used all the time. And of course I implemented the. This whole snare system. So, for drums I will have. I have all the drums. The reason for this is. I am able to do. local government and federal. The federal government is over there. Makes sense Aye. Lets go back. This drum sub, here, is sent to. Because its nice to create some. I always need it, so its in the. Next to the drum sub. The way I am addressing. Im choosing carefully. Im sending to that crush. The bass drum. the clean snare drum. I almost never use. And then the overhead. And so I can. choose my mix, here, in this. I send to the drum crush. So if I wanna have my hi hat direct. I leave it here, and I dont want it. I just mute it here, rightSo I can change my balance. Its very flexible and is. We will talk about the plug ins setup. I need you to understand. Next to this. whole drum thing is a VCA. So, thats why theres a little. V in front of the name of the track. So I know its a VCA when I look. This VCA allows you to control. Remember. since we are separating. Its complicated so its nice to have. VCA, right here. 0. Also, it allows you to solo. You cant do that with your stems. Details, detailsAnd this is my drum tail. Alfabeto Manual De Los Sordomudos. Remember I told you a minute. So thats the acoustic drums. Looking at it, while you listen. Just abstractly is not gonna work. This little sign post here tells you. Not that different from real drums. I have put in this template a couple. First, theres the tail. Very standard, and all this. Percussion sign post. This is the. percussions section. I make a lot of records with percussion. I have a percussion section. Theres a percussion space. And all that is going to my other. Right here. 0. 0 1. If I feel like it. I get too lazy for that. Bass That you can see here. I have a DI and an amp. And then those two tracks are routed. I use that on every mix. Acoustic guitars, electric guitars. Two auxes which also go to. For guitars sometimes. Ill create a sub for that. Pro Tools now. shortcuts to do that. I dont want to. cloud the template with. I may not use. 0. Keyboard, synths, whatever. I use a lot on some. Slightly different way of doing. I will park the vocal. I will feed that. I will put all the. The reason for that is. I have to do is. run this through a different aux. Theres lots of reasons to do this. For example you can have a vocal. A vocal track for the chorus. Having them separate, not having. I promise you. this works. The auxes. this is the one that has a lot. I dont use all that stuff. I need it. A tail end space. I do. and an 18th delay, a 14th delay. So I have a track for that, already. And I keep my effects completely. I do stemming at. I dont have to worry about the. I am printing just. Everything is totally discreet. Of course to be able to do this. DSP. it works. 0. Lets move on to masters, as you can. If you noticed, since the beginning. These are all busses. Pro Tools has this amazing feature that. Stay with me. a bus is a patch cable. It goes from A to B. Its just a cable. Imagine if you had. The value of that may seem a little. The master fader in Pro Tools. And you can do it in the space. What I did here is, I created. VCA for these 1. 1 masters. So I can use this VCA to actually. Right here. 0. 0 1. I can decide from this one fader. I am hitting my stems. No matter what happens on my tracks. So you may see some clipping here. And you may have the problem. And you dont have enough safeguards. What you can do. is just pretend its not happening. Isnt that wonderful Its wonderful. If you do production in the same session. I recommend you have this VCA up. Because youre gonna be. And when its time to mix. B of headroom with one fader. So lets put this back at 6, cause. I start mixing, if I have to mix. I am not. using summing, that day. After that, we have the stems. Theres a little trick on those stems. Theres parallel compression at the. So no matter what you send. One is called rhythm and one. A lot of mixers do this. Andrew Scheps has a Rear Buss, where. Michael Brauer has like 5 6 of them. SSL, hes using aux sends and. I personally like to keep. So I wanna use the strict. So the way I do it, when I choose. I have my bass drum, drum. Rhythm parallel and the rest. If my. is percussion, Im also gonna send it. I just have to change. Dont forget to do that Ok, and that allows me to do. I do, if I move. right here, if I do something. It gives a certain tone. If I dont like, I just mute this and. I dont have to have it. If Im gonna mix a jazz record. Im not gonna do that. If Im gonna. mix a Katy Perry remix. Im definitely gonna do that. Next is the printing section as. So, all these stems. This bus is being. The reason why I go through. I can have processing. This is kinda like your 2 bus, right These are your individual processing. I also have a master on the. Meaning I can offset how hard. I hit the input of this aux, right here. Thats another security, to make. I go. crazy on the stems, right here. I print I can offset. I dont overwhelm the plug ins that. I dont clip. 0. 0 1. So this is a nice little. Pro Tools Expert. Theres a new plug in developer in town called Reverb Foundry who have just released their first ever plug in A reverb plug in called HDCART. Reverb Foundry say HDCART is a high density reverb plug in modelled after one of the most sought after and expensive reverb units of all time insert popular 1.